Lord of the flies Why do things start to fall apart on the island Essay Example

Lord of the flies Why do things start to fall apart on the island Paper William Golding foreshadows mans destruction of the island from the beginning chapter of the book. A large scar was made in the untouched jungle, symbolizing the first of mans destruction on the island. The description of the island makes it sound like paradise, however the fruits make the children sick, which shows that not everything is so perfect here. Even thought they are only children they started by setting rules and following order, which might make readers think that it wouldnt turn out so bad after all. However disagreements arise from the start. à ¯Ã‚ ¿Ã‚ ½I ought to be chief, said Jack with simple arrogance, because Im chapter chorister and head boy. I can sing C sharp. This shows the early signs of the tension between Jack and Ralph, and it also shows Jacks pride. They elect a leader, Ralph, who could think rationally and who talks about getting rescued. We will write a custom essay sample on Lord of the flies Why do things start to fall apart on the island specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Lord of the flies Why do things start to fall apart on the island specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Lord of the flies Why do things start to fall apart on the island specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Right from the start Jack took possession of hunting. He wanted his people to hunt and wanted to be their leader. Jack wanted to control people and make them do what he wants from the start. At the end of chapter one we read of Jacks first attempt to kill a pig. While his first attempt fails, his quote next time foreshadowed his future of savage hunting. By now things look promising on the island because they have everything they need to survive and have also organized themselves. They also make new rules. we cant have everybody talking at once. Well have to have hands up like at school. This shows that they still stick to rules and find them very useful. One of the first signs of things deteriorating is the mentioning of the beastie, and what seems strange is that Ralph, the leader and sensible one of the lot laughs at the little boy and does not listen to him. The rising action starts in the middle of chapter 2 where the boys attempt to make a signal fire but it rages out of control. Rules are all abandoned at the mention of making a fire and chaos over takes. This leads to the death of one of the kids which shows that rules will be broken again later on in the book and it wont stop at the death of one kid accidentally. After this, order is slowly lost and chaos slowly takes its place. When Piggy asks to talk and takes the conch Jake doesnt care. The conch represents law and order and when Jack disregards it, it shows that he will disregard all rules later on in the book. Jack also shows signs of belligerence when he argues with Ralph about the signal fire, and claims that The conch doesnt count on the mountain! At chapter three Jack is hunting and is acting very much like a predator hunting its prey. When he meets Ralph and Simon he doesnt even notice the huts theyve tried very hard to build. The explanation he gives for not helping them is we need meat. Jack is solely concerned with hunting, and cannot see the necessity of other things that can keep them live. Killing a pig has being an obsession for Jack. This shows that slowly Jack is drifting away from society and is loosing his innocence.

Holding Back Your Backstory

Holding Back Your Backstory Holding Back Your Backstory Holding Back Your Backstory By Michael Authors call the hidden part of a characters life their backstory. When I was acting in plays, directors might ask me to decide what my character was doing before the scene began. Since my character is supposed to be a real human being, he has a life outside of what appears on the stage or on the page. Every character is like an iceberg there is more to the character than appears on the surface. If its a minor character, the reader may never learn much about what is under the surface. But even if you dont write about it, it still has to exist. A 25-year-old woman, by definition, has 25 years of life experience. Unless she was raised by wolves, she was raised by people, even if your story never mentions it. Everything she does, she does for a reason, unless she is mentally ill, and even then, as they say, there is reason in her madness. Keep the backstory in the background. A backstory is your tool to help you create your story, not a creation in itself. Your reader may never see it directly. Part of the editing job is to prune away references to the backstory that dont advance your story. Doing that may be painful if you think you have a darling backstory, but, as you know, writers have to kill their darlings. If your backstory is as fascinating as you think, use it to write a prequel. Backstory is for characters, not for writers. Details add life, but dont spend time coming up with old details for the sake of details. Decide what events and experiences could have made your characters into the people they became. But just because your character wants to say something, that doesnt mean your reader needs to hear it. Understatement increases interest. A five-page backstory digression about a father who worked in psychological operations during the war will probably become more interesting as you make it shorter. The shorter you make it, the more you leave to your readers imagination and the more interesting it will be come. Dont front-load your backstory. You may call it a prologue, but most prologues are not necessary. Instead, use the basic editing approach of cutting as much as possible from the beginning without confusing your reader. Youll likely discover that you can begin your story at an exciting point, in media res (Latin for â€Å"in the midst of things†), without having to explain everything first. Your story needs to catch your readers interest immediately. Adding a long introduction before the interesting part is about as effective as adding a long explanation before telling a joke. Nobody will laugh. You can add backstory as needed. Writing is more like sculpting with clay than with marble. If you find you need something, you can slap it on later. For example, once a mystery writer decides who committed the crime, she can go back and develop a backstory that explains why. She can reveal that on the night the plans were stolen by an unknown spy, the sweet kindergarten teacher was in the next room. But she can also hint that the teacher learned to sing The Internationale as a child when her intellectual parents invited other immigrants over to discuss politics. Dont info-dump. Yes, maybe you absolutely have to tell your reader something so they can understand whats happening. But how you share backstory elements is as important as what you share, if not more so. Share them naturally. Dont abuse characters, such as maids and butlers, by having them talk about information they already know. Spread out your revelations over several pages or chapters. The principle Show, dont tell applies here. So does the principle of subtlety. Youre creating an experience, not simply communicating facts. You dont need to flash back for a backstory. Flashbacks can be confusing and overused, along with other sudden changes in time and setting. You want your reader to always be wanting more, and how can they be curious about something if youve already told them all about? Instead of telling your backstory as another little story, intersperse it into your main story. You can say, At the Anhui Palace, she tried the Honeycomb Tofu, but it was much sweeter than her mother made it, instead of, Her mother had immigrated from the Chinese province of Anhui. Sometimes writers think their backstory is story. Its common: as your mind works out your tale, it spins out both story and backstory, and both may end up on your page. Identify when your real story takes place: what is the conflict? When does it come to a head? Look at references to the past, and see if your story still works if you remove some of them if you begin your story later. Does your second chapter work as your first chapter? Then maybe you should remove your first chapter, call it backstory, and interweave its contents, revelations and hints into the rest of your book. Avoid world-builders disease. Because J.R.R. Tolkiens high fantasy novels are more imitated than any others in the genre, his imitators might feel they need to copy his backstories as well. But the creator of The Lord of the Rings, who was a professor of philology and Old English, apparently enjoyed creating backstories more than creating the novels themselves. Otherwise, he could have published even more novels. If you want to publish more novels, you need to spend more time writing novels than creating the backstory for them. Because of Tolkiens popularity, his son was able to get these backstories published, but dont count on doing that yourself. James Michener was known, even teased, for his heavily-researched historical novels that sometimes retold the geological formation of the places where they were set. But in an interview with Voice of America, he said, Now if you look at the best books of the research writers, theyre as good as anything anybody else did. But the bulk of the best books, I think, come from people who just sit at a desk and write. And if I were starting over again, knowing that I had the ability that I did have, I might well go that route. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:12 Greek Words You Should Know10 Techniques for More Precise WritingPredicate Complements

Need to summarise and paraphrase in own words Essay

Need to summarise and paraphrase in own words - Essay Example Even though the two sources overlap, they differ in focus as social science evaluates social processes and structures while nursing concentrates on the dearth of men in nursing and recruitment and retention approaches. Additionally, social science asserts that male nurses experience difficulties in their profession while nursing opposes this assertion. According to the author, historically, men were greatly involved in nursing in war and during the monastic movement. But in the 19th Century, Florence Nightingale introduced reforms in training based on the perception of women as being biologically endowed in caring and nurturing which saw men being replaced by women in nursing as men solely took up combat roles. The challenges that men face in nursing include cultural norms that makes people in other professions to discriminate against them. In addition, the support from supervisors, clients and colleagues and the discrimination from outsiders considering them as feminised males also present a challenge. Therefore, male nurses adopt labour practices that would shield them from stereotypic segregation. Despite these discriminative aspects, the researcher notes that men would not experience prejudice or discrimination in female-dominated occupations as would females in male-dominated occupations. Their minority representation advantages them for promotion as opposed to hindering them. The discrimination in hiring places them at an advantaged context as female-dominated specialties have been noted to attract more males. Sexist attitudes hinder females from breaking the invisible barriers for promotions to highest